REMOTE LANDSCAPES
In January 2020 I started a project exploring my connections to the landscapes of my childhood memories in Mexico City. I wanted to revisit the colour and drama of those memories, whilst building a bridge to my present life in a rural village in Nottinghamshire.
One of the aims of the project, was to set up an art making process that would involve co-operation from other people. Building a collection of images from the places people were walking around in during the 2020 lockdown, turned out to be an ideal way of gathering fresh and unexpected imagery. Having a record of what I'm calling, 'escape moments' and then weaving these images into paintings and drawings, allowed me to renew connections with people living as far as Australia, Vancouver and Indonesia. It was inspiring to see something they'd seen and experienced.
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These moments of connection with geographically distant places and people, have taken on greater significance as the pandemic has evolved and changed our lives so drastically, leaving us nostaligic for the possibility of travel to the world beyond our four walls. It's been interesting to see what has captured our collective attention. Despite the growing chaos and discord around, there's an air of calm and quiet contemplation in the images people have sent in. They are capturing elements of nature with a new found sense of discovery and appreciation, and connecting with what it means to be outdoors and enjoying some freedom in a time of confinement.
It's been an enriching experience to view distant volcanoes in Mexico, to poke around vegetable patches in Essex and to get lost down mysterious wood lined pathways in Somerset. The ablity to journey to another place in my mind, has been a welcome escape. Imagining the underwater tropical world in Cancun and having the time to ponder over the life of a lonely broom on a patio in Guadalajara, has been a most theraputic form of armchair travel. Something between escape, nostalgia and a dream. As I write this, another lockdown has started, it's the last day of 2020. The project will continue to evolve in 2021 this website's first version has been completed on the anniversary of the first lockdown the 23rd of March, 2021.
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REMOTE IMAGES
2020 contributor images
CONTRIBUTORS TO REMOTE LANDSCAPES
Thank you to everyone who has taken the time to send me their personal landscapes from around the world. It has been a constant source of inspiration, and valuable connection with the 'outside' world. Thank you also to Backlit Studios in Nottingham who have been instrumental in inspiring and enabling artists to work in new digital and collaborative ways and most of all thank you to my family, friends and art teachers (Mr Martin, Bob Evans, Gill Ledsham, Dr Richard Hickman, Mandy Wilkins) who have been the inspiration for much of this project and suppored my artistic journey over the years. This project is by no means complete and will continue to evolve in 2021 so I look forward to adding more names. Send me your landscapes! info@katiesandovalart.com
Adrian Birtwell, Totnes, Devon, UK
Lauren Adams, Nottingham, UK
Carol Syson, Cornwall, UK
Clara Frost, Molesworth, UK
David Northcott, Bermuda
Deanna Wade, Lincolnshire, UK
Elizabeth Cameron, Somerset, UK
Elizabeth Stitger, Melbourne, Australia
Enrique Sandoval, Guadalajara, Mexico
Fanita Murray, California, USA
Rolph Giddings, Bali, Indonesia
Ian Robertson, Falmouth, Cornwall, UK
Jan Baker, Nottingham, UK
Keeley Vernon, Swindon, UK
Nick Baker, Vancouver, Canada
Sabrina Blackstad, Ibiza/London, Spain
Salvador Sandoval, Pachuca, Mexico
Sarah Northcott, Lincolnshire, UK
Simon Baker, San Francisco, USA
Gill O'Connell, UK/Spain/R.Ireland
Chrissy Warren, Eyemouth, Scotland
Siobhan O’Leary, London, UK
Stephanie Struth, Essex,UK
Tony Whitfield, Essex,UK
Pauline Woolley, Nottingham, UK
Deanna Wade, Linconlshire, UK
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Kato Katelios Fishing Boat, Kefalonia, Greece, 2016
"Art is an adventure into an unknown world, which can be explored only by those willing to take risks" Mark Rothko